Wednesday, November 18, 2009

Epiphone, the red headed step child.



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Poor Epiphone always the bridesmaid never the bride. Epiphone since it's purchase by Gibson a few decades ago has always been the low budget, just above knock off Gibson, until recently. A new in flux of models from Epiphones past and a few high quality copies of Les Pauls has Gibson investing in the brand.(http://www.epiphone.com/)



When seeing an Epiphone at live shows I always felt the player couldn't afford the real thing. Then, in the mid 90's I was in the market for an ES335 and a Jazz Boxx ( a hollow body with some tone). My budget was limited and I knew what I wanted , a fast neck i.e. dressed frets, and nice responsive pick ups. I to this day regret my decision I tried a Gibson Studio 335 which today probably would have made me money but I bought a Joe Pass and a Sheraton Epiphone.



I felt I made the right decision both guitars played great but comes to resale, no money.




Wednesday, September 16, 2009

Les Paul (1915-2009)

Les was by observation and accomplishment, rather industrious, clever, creative, hard working, succesful and loyal. Just an all around good person. He wasn't ever linked to excesses associated with the industry. He preferred the seconds when it came to guitars, (the guitars that have imperfections.) He was a proponent of low impedance or low resistance pickups.
He preferred analog as opposed to digital. (to me that makes sense why digitize an analog signal then return it to analog).
I owe a huge debt to the man, he provided me with the music and instruments that have filled my life, provided me with joy and ultimately monetary reward, thanks Les.

http://www.lespaulonline.com/




Les was an apparent pack rat. In the 90's it was reported Les was cleaning out his house and filled a few dumpsters with stuff. Stuff we guitar people would love to have.

It was written in Guitar Aficionado (http://www.guitaraficionado.com/) that Les was contacted late in the development of Gibsons' solid body. The article as it reads to me is that Les made a few minor suggestions and it was Gibson's need of a celebrity endorsement that lead to the naming of the guitar. The timing of the article seems like peeing in punch bowl. How much Les involvment Les had seems mute. The evolution of the instrument and recording was marching on and as with any science many people were working separately towards a common goal. Often paths cross and less often paths combine for a cumulative effect in this case , THE MOTHER F****'* Les Paul!

The guitar likely had p-90s (single coils) and a trapeze style bridge.

Remember Ted Mc Carty hadn't finished the humbucking design.

http://en.wikipedia.org/wiki/Ted_McCarty

From Wikipedia:
http://en.wikipedia.org/wiki/Les_Paul

"While experimenting in his apartment in 1940, Paul nearly succumbed to electrocution. During two years of recuperation, he relocated to Hollywood, supporting himself by producing radio music and forming a new trio. He was drafted into the US Army shortly after the beginning of World War II, where he served in the Armed Forces Network, backing such artists as Bing Crosby, the Andrews Sisters, and performing in his own right[21].



"What the F*** ? electrocuted, are you f***'*n kidding me? As a matter of fact it was the 40's n up until 30 years ago. You could plug in and have the polarities reversed, the metal stuff would be like touching line voltage, "MUTHA F*****, you're dead.
note: My Bandmaster is like that, plug in have polarities reversed and the metal panels and switches are straight line voltage or more.... Did that a few times loaded."-X

As a last-minute replacement for Oscar Moore, Paul played with Nat King Cole and other artists in the inaugural Jazz at the Philharmonic concert in Los Angeles, California, on July 2, 1944. Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby went on to sponsor Paul's recording experiments. The two also recorded together several times, including a 1945 number-one hit, "It's Been a Long, Long Time." In addition to backing Crosby, The

Andrews Sisters and other artists, Paul's trio also recorded a few albums of their own on the Decca label in the late 1940s.
In January 1948, Paul shattered his right arm and elbow in a near-fatal automobile accident in Oklahoma. Doctors told him that they could not rebuild his elbow so that he would regain movement; his arm would remain permanently in whatever position they placed it in. Paul instructed the surgeons to set his arm at an angle—just over 90 degrees—that would allow him to cradle and pick the guitar. It took him a year and a half to recover"

X- Another, What the F***, Have my arm fixed so I can hold a guitar? Ok, I'd do that.


He is was and will always be a Genius.


Buddy Holly

Hi welcome, I've havn't posted in a while and there's been a huge story. Beloved Les Paul died, I'll post an article of my own in the near future. I'll highlight interesting facts that have been overlooked.




But while surfing I came across this little gem. From the Gruhn website (http://www.gruhn.com/) .

It's Buddy Holly's amp from late in his career. It's the amp he kept in his apartment in New York. Imagine having a few cocktails, plug into this babe and channeling Buddy "Freakn" Holly. Or better yet MTV or CMT Cribs is at the house and in passing "This is Buddy Holly's amp" Whaaaatttttt?

From the website http://www.gruhn.com/

"Buddy Holly's Magnatone

--------------------------------------------------------------------------------
Rock and roll legend Buddy Holly had barely broken in this Magnatone Custom 280 High Fidelity amp when he died in a plane crash on Feb. 3, 1959. He bought it in late 1958 and put his name on the front with embossed adhesive tape (he also signed the inside of the back panel). This was Holly's home amp, which he kept in the living room of his New York apartment.
Holly recorded a few demos on this amp. After his death, the tapes were overdubbed with full productions, but they were also later released just as he recorded them - with guitar and vocal. His widow Maria Elena sent the amp to Holly's mother for safekeeping, and the family sold it some years later.

For Holly aficionados, there is no other amp. His stage amp was brought to New York after his death by bandmate Waylon Jennings and put in a storage locker, and it promptly disappeared. The amp he used for his biggest recordings did remain in Norman Petty's studio in Clovis, NM, but it has been converted to solid-state.

This Magnatone has had tubes and caps replaced. A detailed account of the work comes with the amp, along with all the original electronic parts. It is still true to the vibrato-heavy sound of Holly's living room recordings.

With a letter from the curator of the Rock 'n' Roll Hall of Fame (where it was on display until recently) and all the original electronic parts, this unique piece of memorabilia is offered at $175,000.

For further enjoyment...."










Oh yeah sorry nobody knows who Buddy Holly is.









Listening to these interviews realize the business of music hasn't changed. The pressure of the lead artist in a group to leave and headline, Beyounce comes to mind .





Kind of a prophetic interview with Alan Freed a legendary Rock and Roll DJ and promoter. http://en.wikipedia.org/wiki/Alan_Freed




Monday, May 11, 2009

Ok, being old sucks. Mick Jones of the Clash now of Carbon/Silicone still speaks to me and my likes. This next musical bisquit is about seeing the doctor.

My favorite band for the 70's, 80's, 90's was ZZ Top. I had great seats for several shows in my area during the Eliminator tour. I became disenchanted with them because each show was exactly 84 minutes. This was due to the early application of sequencers, midi, computerized lighting effects. The following clip is from the Deguello tour.




From Gibson:

A Sneak Peek at the Billy Gibbons 1959 “Pearly Gates” Les Paul from Gibson Custom!

Is there a Billy Gibbons Pearly Gates model in the works at the Custom Shop?Well … that would be a Texas-sized yes! Gibson Custom has already spent many weeks working in conjunction with legendary guitarist and artist Billy Gibbons, as well as multiple vendors, to develop a limited run of arguably the most legendary guitar ever, his beloved Gibson 1959 “Pearly Gates” Les Paul.
In this picture, that’s Billy’s “Pearly Gates” guitar on the right (as if you needed me to tell you) with the color sample by Gibson Custom sitting next to it. Release date of this icon is set to be in the not-too-distant future. Stay tuned for updates and details …






Then they entice me with some of dis......The following got no vids but please listen.


Last observations, Gibbons had this weird move during "Sleeping Bag" he'd block the view of his hands during a particular part of the solo. In hindsight he was probably using an Ebow. I remember during this time every guitar player would go to a show and lift licks and technique. I figured it was a Bill Hamm (ZZ Top Manager) move to protect Gibbon's intellectual property.
A weird fact: in the 90's Bill Hamm's wife was kidnapped and killed when she went to a Houston Pharmacy.

"That Metal Show"

Two messages, "That Metal Show" is very enjoyable. Never being a real metal head my self the show is enlightening and informative. I can remember the bands and some songs but Metal is an integral part of MEG (Modern Electric Guitar). Second, Eddie Trunk made a point of lstening to older established bands new stuff. The following is a clip of Yngvie not swearing, in itself is amazing!
"th

Monday, March 02, 2009

Eric Johnson 2009

Well if you've never heard of Eric Johnson, he's one of the best. (I really need to spend more time at this). Eric Johnson is a guitarist from Texas that came to my attention in the mid ninties. Johnson was one of the players I read about in the magazines and was an acclaimed technician i.e. he new his music, chord scales, equipment etc. His early releases are amazing a very jazzy and dynamic feel. In hind sight he was one of the Texas guitar players mined by recording A&R people. He's still a great player still putting out amazing music.


Friday, February 27, 2009

Beware of counterfeits,

I posted an article about counterfeit guitars a while back and how Chinese factories will make whatever guitar you'd like. This is from Gibson 2 years ago, it's still pertinent especially now when a lot of used guitars are popping up on ebay. - X Oh yeah I've asked Fender for a comment or a statement on policy and have yet to receive anything.


Gibson Leads Industry Fight Against Counterfeit Gibsons
Ellen Mallernee 06.06.2007
Last year, 15-year-old Jonathan Jakubowski of Cary, North Carolina emptied out his savings account to purchase a Les Paul he found advertised in the local newspaper.

Of his decision to buy a Gibson, Jakubowski explains, “Eric Clapton is my main influence, and he played Les Pauls for a long time.”


Intending to purchase the advertised Les Paul Standard, Jonathan and his father visited the seller at his house, where they were persuaded instead to purchase a Wine Red Les Paul Custom, which the man said he’d bought off a traveling musician. Jonathan paid the man $1,000 for the guitar, but once he got it home, he could tell that something wasn’t right.


“I’d only played Les Pauls in the guitar shops, but something tipped me off, and I ended up going on the Internet to see what some typical signs are for a fake guitar,” Jakubowski says. “The first thing that struck me was that there were three screws in the truss rod cover instead of two.”

The staff at a local guitar shop confirmed Jakubowski’s suspicions—the guitar was a counterfeit. The high school sophomore alerted police, and following an investigation, the North Carolina man who’d acquired the guitar from a Chinese website and resold it to Jakubowski was arrested on two felony counts of criminal use of a counterfeit trademark.

This is but one of several reports that have prompted Gibson to lead an aggressive industry fight against the growing problem of counterfeit instruments being shipped from and sold by outlets and individuals in China.


“Protecting our consumers’ investments and the Gibson name is paramount,” says Ric Olsen, Director of Security and Loss Prevention at Gibson. “The ultimate goal here is that we want people to be happy Gibson customers. We’re trying to protect their investments by thwarting the counterfeit problem.”

The majority of the Gibson counterfeits appear to originate on e-commerce sites based out of major cities in China such as Beijing and Shanghai, though Olsen says, “That’s not to say we don’t have domestic problems, too. People will try to make up their own version of a Les Paul and start selling it, but the major battle is this China crisis.”


Other sources for counterfeit instruments are auction websites like eBay, which currently have hundreds of instruments resembling not just Gibson guitars, but also other brands. Some even feature trademarked headstocks and logos, but upon close inspection the guitars don’t feel or sound like a true Gibson, the serial numbers aren’t registered with Gibson, and most are not of good standard of quality overall.


Pricing can also be one of the easiest giveaways for a phony guitar. If a guitar is up for an online auction at a fraction of what it would typically cost, consumers are taking a great chance by purchasing it. Consumers should also be wary of sales that offer exorbitant shipping prices that exceed the price of the guitar.

Still, Olsen cautions that it can be difficult for a non-professional to distinguish between fake and real.


“There were victims who really had no idea what they were getting was fake,” Olsen says. “Until you actually plug the piece in or take the truss rod cover off and notice that there’s Teflon in there rather than the metal nut, it can be hard to tell to many consumers.”

With so many variables to take into account—the weight and finish of a guitar, the tone and playability, electronics and hardware, among other things, Gibson urges consumers to leave the detective work to its Customer Service department.

Though some guitars are especially deceptive, Gibson’s Customer Service Manager Jason Davidson says, “Usually we can spot a fake right away. They’re absolute garbage. They play terribly, they feel terrible. They are only made to look like a Gibson, and they do a poor job of that.”

To curtail the growing problem, Gibson advises all consumers to purchase Gibson instruments only from Gibson’s network of authorized dealers, found on the company’s website at www.gibson.com.


Consumers are also encouraged to contact Gibson’s Customer Service team, whether the guitar in question is new or used. “We have professionals that know these pieces inside and out,” Olsen says. “They know if a knob was the wrong year. They’ll know that a wire that was used was incorrect.” Consumers may even send Gibson Customer Service pictures of a guitar that they have questions about—full front and back photos and close-up shots of the front and back of the headstock are best.

“We will continue to do everything in our power to protect our consumers and the integrity of our family of brands,” says Henry Juszkiewicz, Chairman and CEO of Gibson Guitar. “We hope that by issuing this warning our consumers will be armed with the right information to protect themselves and understand what they need to do to ensure that what they are purchasing is indeed an authentic Gibson instrument.”

To report incidents, consumers should file a police report, and may also visit http://www.ic3.gov/.

For questions about a guitar’s authenticity, contact the Gibson Customer Service team at service@gibson.com or 1-800-4GIBSON.

How to Spot a Fake Gibson
To ensure the authenticity of a Gibson, consumers can check any of the references below when examining a guitar:

Measure the guitar to check that it’s not undersized. Correct measurements can be found on www.Gibson.com.
Examine headstock and headstock logo to determine that they match those of authentic Gibson guitars.
Check to see that all pearl is inlaid.
Check that Les Paul model script is always in cursive.
Verify that there’s not a three-screw truss rod cover.
Check the control and pickup cavities for sloppy routing or wiring.
Make sure the pickup cavity is not painted black inside.
Always ask for the Gibson Owner’s Manual and Gibson Warranty Inspection card.
Check the wiring. If it’s plastic it isn’t a true Gibson.
When all else fails, contact Gibson Customer Service at
1-800-4GIBSON.

Revitalize your speakers

Tone Tips: The Good Doctor’s Dry Speaker Tip
Dave Hunter | 02.25.2009
This time out of the box, Gibson Tone Tips is going to live up to its name very precisely by giving you a simple and direct tip that can instantly improve your tone, in certain circumstances. And in doing so, I’m going to lean on the expertise of one Mike Zaite, the man behind respected boutique amp company Dr Z. While talking with Zaite some time ago he passed this great little fixer-upper tip along to me, and it’s too good not to share.

In short, this is one fantastic way to perk up the sound of your amp by “reconditioning” its speakers — or you could say “reacclimatizing” them — without doing a thing to them other than giving them a short vacation from the dampness, moisture, and humidity of your current environment. Let’s let Mike continue in his own words:

“Speaker cones are weighted and measured in grams. It doesn’t take a whole lot of weight difference to really throw a cone off from sounding the way it should sound. Now, when you store an amp, the worst thing you can do is put it in a damp basement or in a situation where it’s going to be able to wick up moisture. It’s amazing how a speaker can do that, and now all of a sudden you have a dull, dud-sounding speaker, because it doesn’t take much water to throw it off. It’s amazing how just a few drops of water can really change the response and characteristic of a speaker.

“So what I do when I store speakers is [I] get the little silica bags that come with electronics components, throw one of those in the box, close it up, put that speaker away for a little while to let that silica soak up all the moisture of that cone. And you’ll be amazed how wonderful that speaker sounds after the moisture’s been taken out. It’s nice and dry and reedy sounding, and now you’ve got a cone that responds the way it was supposed to, with this earthy tone to it that’s just unbelievable. People use hot guns, they do this, they do that, and boy, you just never really get them right. But just put a couple of those little silica bags in and just leave it be, and it’s such a natural way of wicking the water out and drying the cone out nicely, without overheating the surround.”

The good Doctor adds that this isn’t just a good way to store speakers you aren’t using, but is also a great fix for a dull sounding amp, especially one that you know has been stored in potentially moist conditions, or one you have just acquired. Carefully remove the speakers, and box them up with some silica bags for a week or so as per his instructions, and chances are the newly dried out speakers will bring the whole amp to life. Try it out on your own amp(s), and see what kind of difference it makes.

Thursday, January 01, 2009

Happy New Year!



From Tony James of Carbon Silicone. -X

Reaching for Greatness
31/12/2008 18:23:14



I’ve been reflecting back, as you do, during these quiet, still days between Christmas Day and New Years Eve... there’s a frost on the ground which instantly transforms this breathtaking countryside into something verging on magical and that transformation inspires my thoughts as we look forward into another year.

I wake up on days like these with a fresh blank sheet of paper (on my laptop obviously..!) ready for ideas to flow and I feel the energy rise and I cannot stop. Here’s the News - And this is what I know.....

We will raise our game ..write better... find new ways to get the ideas across in the middle of the greatest revolution that ideas and creativity has ever known. Give it away and still make a living when the rules change daily? Yes it’s a struggle but was there a more exciting time for Rock and Roll?

We need to play more shows. Everywhere. Meet more people, create a Community. Have better art. Find places for that art.... on T-shirts and beyond T-shirts. Have more films with this music as their soundtrack. Embrace Youtube, everyTube. Understand that it’s the ideas that count, not the production values. Film it on iSight, Camcorder or Flip Mino - in HD or Phone Cam. Make the moment of creativity the show, the gig.... Make the studio a show. Make our own show. Film what we’re thinking... have an opinion and say it for real, regardless of how it plays to a wider audience, make it for real, sharing the experience, and have a laugh - that’s a show. Then take that show on the road. I want to be part of that show.

Jump on that digital freedom train because boy, has it left the station, and if you ain’t on board yet start running - because it’s gonna take even more creative ideas and fresh innovative thinking to stay ahead because there’s no easy ride ahead for any artist - if you care about what you do. But, what an exhilarating journey - this is the time that, for the first time, we truly hold our destiny in our own hands......how incredible is THAT!!!!

Oh, and I’ve said it before, but we need to do it our way. Never compromise. Make sure Art triumphs over Business. Never, never dance for the man (and it’s oh so easy because as we all know, he plays SUCH a seductive tune sometimes doesn’t he)...... And I still need to find the time to learn to play the guitar solo from “Goin’ Home”.

Meanwhile.

Can’t tell you how much it means that we’ve seen more people walk through the door at our recent shows than ever before.. and above all I’ve seen something in the faces of those people and the people I’ve talked to after the shows here in London and in Paris last week. It’s a feeling that we have something special.. a special secret something - that this band of ours is a secret bursting to get out.. a Bubble about to burst. That’s you out there. And it’s growing.

It is up to us. It’s not about who we were - it’s about who we could be.

This could be our year. Come with us.

tony james
Dec 30 2008

Monday, December 15, 2008

Of Course! Billie Joe Armstrong!

I overlooked Greenday's Billie Joe Armstrong, Green Day's guitar player. Greenday, great songs. -X
Tone
The next in a series of step-by-step guides to home recording
12.08.2008

Green Day are perhaps one of the rawest groups out there these days. Not because of their punk roots, but because that’s the way they’ve always been and success hasn’t changed them.
Far too often groups leave their roots to find themselves, and in the process they stray from what made them successful in the first place. If you listen to Green Day’s Insomniac (1995), and compare it to American Idiot (2004) you get a similar feeling and sound.
Let’s take two greats from Green Day’s stockpile of classic songs. Insomniac’s “Brain Stew” is one of my favorite older songs from the band because it’s simple, it has a great beat and it’s raw to the core. Now look at American Idiot. All of the same reasons for liking the song still apply.
Armstrong has been a busy man. Not only has he driven Green Day to the charts many times, he has also collaborated on several other projects. The most well-known of these being the Foxboro Hot Tubs.
The Hot Tubs made their debut in December 2007. It became immediately clear that either Billie Joe and the boys were masquerading as a different band or there was an incredible group out there that sounded a lot like Green Day.
Turns out it was in fact Green Day recording under a different name.
Whatever name they record under, Billie Joe Armstrong’s will be one of the lasting influences from this era of music.
Billie Joe has quite a collection of Gibson guitars that he uses, including a signature Les Paul Junior . He also uses the ES-135, ES-335, 1959 Les Paul Special, SG and Fender Strats, among others.
Remember what I said earlier about Green Day’s music being raw? Well so is the guitar tone. The tone is basically made up of a Marshall amp and Armstrong’s Gibson guitars, so that’s what I’m going to use when recreating this tone at home. I’ll be using Native Instruments’ Guitar Rig 3 to make the tone. I’ll also be using a high-gain guitar, so you’ll need to adjust the settings accordingly if you’re not.

I started off with a modeled Marshall JCM800 amp with Master 9; Preamp 7; Bass 7; Mid 7; Treble 10; and Presence 8. Leave the boost button off or you’ll have too much gain going into the amp. If you’re using a passive pickup guitar, you might want to turn the boost on as a quick fix, to add more gain.
I’m also using a Marshall modeled 4x12 cabinet with the mic set at 57% towards mic B. The Dry/Air setting is at 3.91 and the cabinet volume is set at -6.4db.
I felt the tone needed a little bit of bite, but not enough to really affect what the amp is doing. I decided on adding a Screamer, but with modest settings. The Screamer is set at Volume 1.6; Tone 4.35; and Drive 2.65.
The last thing I added was a Tape Echo, not so much for the echo, but rather to add some depth to the tone. Settings for both Head A and Head B Time is 83ms; Bass 5; Treble 5; Rev Vol 0; Speed 1.16T; Feedback 3.62; and Exho Vol 0.31.
That’s it for Green Day. Download the tone and enjoy!